Art Blakey - Free for All

In an issue of Downbeat from 2009, Joe Lovano named Free For All as his favorite Blue Note album of all time. "I heard Free For All in my late teens. The raw energy of this recording and the way Blakey called the spirits, how he fed everybody and they fed him, gave them a sense of ensemble and playing together. When Freddie Hubbard came into the band after Lee Morgan, he brought something different. The Jazz Messengers developed more openness and flow in the way they were playing, moving out of the hard-bop sound and concept, and stepping into new directions.”

Art Blakey and the Jazz Messengers recorded many superb albums during its 35 years, but it would be difficult to top the intensity and spirit of Free For All. This 1964 gem features an incredible lineup that had worked together regularly for the previous three years, one consisting of Freddie Hubbard, Wayne Shorter, Curtis Fuller, Cedar Walton and Reggie Workman in addition to Blakey. The drummer instilled the love of swinging in each of the players, always pushing them to play at the highest possible intensity level without a second of coasting. On the dazzling "Free For All,” the soulful "Hammer Head” and an over-the-top version of "The Core,” the Jazz Messengers show that no other group could swing so hard at this explosive level.

Features:
• Numbered, Limited Edition
• Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!
• Remastered by Kevin Gray and Steve Hoffman at Acoustech
• Cut at 45rpm for Better Sound!
• Pressed on two 180 gram Virgin Vinyl LPs by RTI
• Limited Edition
• Ultra-Durable, Extra Thick Album Jackets
• Gatefold Album with Session Photos in stunning High Resolution

Musicians:
Freddie Hubbard, trumpet
Curtis Fuller, trombone
Wayne Shorter, tenor sax
Cedar Walton, piano
Reginald Workman, bass
Art Blakey, drums

Selections:
1. Free For All
2. Hammer Head
3. The Core
4. Pensativa

"The albums are being cut at 45 RPM for maximum quality by Kevin Gray and me using our full ANALOG disk cutting system; most studios cannot even cut vinyl in 100% true analog anymore (they convert to digital first) but we can. The original Rudy Van Gelder engineered stereophonic session tapes are used when we master these gems. The sound quality is amazing on our test cuts. Like from heaven. First totally uncompressed versions of these jazz classics that I’ve ever heard and trust me, you will be impressed; they sound like no other releases of this music."

"The sound is lifelike, the horns are in the room with you. Our non-invasive mastering insures the true breath of life on these original Van Gelder session tapes is transferred to the virgin vinyl with absolute authenticity. It is like hearing these BLUE NOTE masterpieces for the first time and that is NO exaggeration. When we heard the first lacquer acetate playback from our first mastering session I thought Joe Harley was going to pee in his pants he was so excited. Actually we all were; after 50 years of many lackluster and some downright bad sounding versions of these albums, hearing the real deal is a humbling experience, even for us hardened music veterans. You will be able to listen to the music exactly like we did..." - Steve Hoffman